Category: Fun

  • Fur Fridays

    Once upon a time I was visiting the Andong Hahoe Folk Village (안동 하회마을) in Korea. One of the interesting features is a garden full of carved tree stumps in phallic figures. Now dicks have been a good luck charm in cultures the world over. Or at least as a decorative embellishment (see picture to the right). Often dick art is whimsical and Andong is no exception.

    A sake serving set (Enoshima, Japan)

    Other Korean towns have tales to explain their dick-totems. But unfortunately I don’t know if Hahoe Village does or if it’s just a fun way to pass the time when you have a bunch of tree stumps around. I’ve included a few examples below. So about now you might be wondering why this is showing up in Fur Fridays, no?

    Never let your mother cut your hair
    Female tree with penis knees

    The short version is that I’d planned on doing a Fir Fridays joke and post a bunch of trees (maybe some upskirt shots), but I realized that that probably wouldn’t be that entertaining, then got distracted by a McSweeny’s column about romantic entanglements with a sycamore tree, and then realized I had pictures of me stroking a giant wooden dick carved for good luck, so here we are…reminiscing about that time I walked a dick forest in a historical village outside a small town in The Republic of Korea.

    And of course, for those of you with less…ecumenical tastes in wooden genitals, here’s a thing I found when searching for sexy lumberjack pictures (safe for work, but you might get funny looks).

     

    The author, c. 2007 with much less beard
  • Reviews You’ll Never Use: House

    Oh boy, where to begin with this one. Forgive me for running long, but this film deserves the digital ink.

    Let us start with this: if I were to receive some moderate sum of money, and be given complete creative control, House is the film that I would make. Please note that I am not necessarily saying this is a good thing.

    This also gives you a pretty good idea about how this movie is going to go, i.e. FUCKING CRAZY.
    Promo Image

    House is unlike anything you’ve ever seen. It’s a big (by the standards of late 70s Japanese cinema) budget art-house experiment horror-but-maybe-not-kind-of-black-comedy. To properly understand this film, you must ingest consciousness-altering substances. Drop some acid, rip as much as you can out of a bong 10 times, eat some mushrooms, get drunk, whatever you have to do to open your mind to the higher mysteries – just do it.

    Looking wistfully across the sea at the success of Jaws, in 1975 director Nobuhiko Obayashi was approached by Toho Films (makers of my favorite franchise, Godzilla) to produce a treatment for a summer thriller blockbuster. While only being a director of commercials, he was known as a creative eccentric who had produced films on the art-house circuit years before. Working with his friend Chiho Katsura, they quickly turned in a script for a haunted house film.

    The gag was, Obayashi had gone to his 10-year-old daughter and asked her for ideas of what frightened her. So impressed by the creativeness of what scares a little girl, he decided to treat the entire picture as if it was from the perspective of a young girl. This meant the inclusion of nonsensical plot elements, shallow archetypes, purposefully hokey effects and animations, all tied together with traditional Japanese ghost story elements.

    Toho green-lit the project and shopped the script for two years, but no director would touch it because they all thought it would ruin their careers. That’s how off the wall this film already was. Fearing that it would never be produced, Obayashi asked the studio if he could at least announce that it had been green-lit. They agreed, and the wild-haired filmmaker began a two-year media blitz to promote the film. He shot promo pictures with the cast, commissioned and released the soundtrack, and even had the film novelized and performed as a radio drama, all for a film that didn’t exist yet!

    That's a weird glory hole.
    So…that just happened.

    Eventually bowing to public pressure in 1977, Toho agreed to allow Obayashi to direct the film himself, even though he had only helmed commercials as a professional, and he wasn’t under contract with the studio (a highly unusual move for a Japanese studio to take at that time). His cast primarily consisted of a gaggle of 17-year-old girls who had been in his commercials previously.

    Without giving away too many details of the plot, our heroines Fantasy, Gorgeous, Melody, Mac, Sweet, Prof, and Kung Fu are slowly consumed by the house, as personified by its evil avatar, a fluffy cat named Blanche. We have an attack by a severed head from a well, which bites one girl in the rear, then vomits blood and throws itself back down the well. We have attacks by chandeliers, attacks by flying log piles, attacks by mirrors, attacks by cannibalistic pianos, attacks by futons and linens, and attacks by telephones. By the end, the house has regenerated itself, showing shades of Burnt Offerings, which had come out in the United States the year before (if you get the chance to see it, Burnt Offerings is a passable haunted house film mostly notable for being mediocre despite a fantastic cast including Oliver Reed, Karen Black, Bette Davis, and even a few minutes of Burges Meredith playing, shockingly, a curmudgeonly old man).

    The plot, though, is not the point of this film. This film is entirely focused on the telling, rather than the tale. The Austin Chronicle perhaps said it best, “there’s surprisingly little to recommend House as a film. But as an experience, well, that’s a whole other story.” We have scenes in which one character tells the others a story, which is shown as a sepia-tone film reel which the other girls can see and comment on. One girl describes a mushroom cloud as looking like cotton candy. There are animations, matte paintings, animals that are clearly being thrown at the actors from off screen, a man who mysteriously turns into a pile of bananas, and several scenes involving 17-year-old girl titties…sometimes disembodied and floating around.

    Obayashi went on to a prolific film career, and eventually in 2009 earned the Order of the Badge of the Rising Sun for contributions to Japanese culture. However, he never managed to match the beautiful insanity of his first effort. The film was a hit in Japan, due to being a breath of fresh air in a completely stagnant industry (by this time, most Japanese directors were churning out Toro-san rip-offs or pinku eiga, which is softcore porn).

    And yes, you get to see some of their little girl titties
    Our intrepid band of potential victims

    The Criterion Collection DVD has several excellent bonus features, including Obayashi’s 1966 experimental film Emotion, a lengthy interview with the director, and a retrospective by Ti West, director of House of the Devil. I had quite liked that film, but Mr. West comes across as somewhat of a smug film-school student spouting platitudes about “challenging the audience”.

    To sum up, I cannot recommend this film highly enough – if you’re a person like me, who takes most of your personal philosophy concerning the nature of existence from the Joker. If you’re a Very Serious Person who likes to Seriously Discuss Very Serious Things, and have a silly hang-up by which you insist that your films follow a coherent narrative structure and conventional character arcs, then…have an adventure and watch it anyway. But get really fucking high or drunk first. It’s worth it.

    I rate this film 8 drug-using dogs out of 10.

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  • Fur Fridays

    So looking for fodder for other Fur Friday posts I ended up on PETA’s Instagram feed. Mostly because I was looking for a Creative Commons license variant of their Bare Skin not Bear Skin featuring New BSG’s Jamie Bamber which makes me feel funny in my bikini zone. PETA regardless of your opinion (which I assume is quite strong whatever it is, dear Glibertarians) is REALLY good at drawing eyeballs to their cause particularly with barely covered ladies and clever plays on expectations. I will spare you an in-line link to a video where a ginger lass with pert tits is interspliced liberally with cows being inseminated by a very long metal rod (don’t get play and you’ll get all you need from it).

    What really surprised me was how often people dressed in )not high enough quality to really be) fursuits shows up on their instagram feed

    For instance, Pam Anderson and her friends wearing animal costumes reminiscent of uncanny vintage Halloween costumes:

    https://www.instagram.com/p/BOj-awTh-Av/

    Although some of them clearly put in more effort than others:

    https://www.instagram.com/p/5Eya8DN8sO/

    And they’ve even had a celebrity pose for something for Mr. Lizard:

    https://www.instagram.com/p/-MSsMnt8s7/

    And with that, I hope you all have a good weekend. Oh and just in case next week HM takes the day over for Fetish Fridays, I’ll give you all a soft transition

  • Weird Wednesday: The Anatomy Lesson

    Can't we ever get a girl for this stuff? This is like the ninth dong I've had to look at this semester.
    “Anatomy Lesson by Dr. F. Ruysch,” Adriaen Backer, 1670

    I was never quite sure how Frances started hanging out with us. I think maybe she came to a few parties thrown by friends of friends and that’s how she got to know Miller.

    I do know why she kept hanging out with us: she liked Miller. No girls liked Miller. He was good-looking enough and as a transplant from Pittsburgh, he counted as an exotic in small town Kentucky, but he was girl-repellant for the most part. And even when pressed by Cooper or me, girls couldn’t tell us exactly why they didn’t like Miller, just that they didn’t. He got his share of first dates, but never any second ones.

    Frances was thin and short, a nervous type that either didn’t speak or spoke in rapid bursts, like suppressing fire from a machine gun nest. There wasn’t anything notable about her body, small breasts, hipless, pale skin with a sprinkling of moles. She hid her face behind large glasses and never wore any make-up. She favored plaid western wear and too long skirts that she seemed to have trouble walking in. I think at first I probably assumed she was Pentecostal.

    Her most prominent feature was her terrible hair, dishwater blonde and incurably frizzy. She wore it in a thick braid down her back most of the time, scraped back from her face in a way that made her head look tiny. She even got in Miller’s pool with it in a braid, and when she got out her hair never seemed to be wet.

    She followed the three of us around that summer, showing up at parties where she didn’t know anyone but us, huddling near us like she hoped no one else would talk to her. Maybe she liked all three of us, but I had a girlfriend and Cooper always had a rotating cast of girls he was dating, and she really did seem strangely drawn to Miller. When they finally end up making out on his couch at one of his pool parties, no one was really surprised.

    The only result was that Frances was around more. It became impossible to go to Miller’s house and not see her as well. Cooper even started bringing his thin little alien girlfriend Tracey over now that it was just the three guys. Frances and Tracey even became friends after a fashion, going off to talk to each other quietly. My girlfriend tried to befriend them as well, but it didn’t work.

    After a few weeks, Miller called Cooper and me to come over to his house. It was just the three of us. Miller was disturbed. He talked around the subject for a little while until we pressed him. He and Frances had finally had sex, a squalid scene in his car in a public park, and he had discovered a secret. Her clitoris was large. Very large. He held up his bony pinkie and menaced us with it. He admitted that when he first reached into her pants and found it, he had reached past it to confirm she had a vagina and not a set of balls. He worked through his misgivings in the heat of the moment and had sex with her away.

    Miller was very angry with Cooper and me for laughing the whole time. And asking if she had tried to fuck him with it, and if this meant he had finally given his first blowjob, and if she had jizzed on him.

    Miller became obsessed with Frances’ large clitoris. It seemed like it was all he could talk about: why it was there, what it meant, if he was still straight after jerking her off. It proved too much and he broke up with Frances over the phone after just a few days.

    We didn’t hear from Frances for a while. She stopped coming to parties and dropped the oddball friendship she had with Tracey. None of us saw her until school started back in the fall and Cooper ended up having two classes with her. He talked about how uncomfortable it was to see her and life went on.

    Cooper and Tracey broke up for the seventh time. At some point after that, Cooper slept with Frances and experienced the large clitoris for himself. He told me about their encounter and the clitoris itself in harrowing detail but kept it as a guilty secret from Miller. It seems he never quite believed Miller about how large it was but now he knew the horrible truth firsthand.

    Now, I wasn’t kidding when I said Cooper was popular with girls. He was tall, and in shape, and had long black thick hair that was just feminine enough to put girls at ease. He slept with most of the girls I knew in high school, and the rest fantasized over him. And, of course, there were a number of bad break-ups. More than one girl had said he had a small penis.

    It was a standard break-up insult but it came up so often that I finally asked one of the girls he had dated, my best female friend, about it, and soberly she confirmed that Cooper had a dick “No bigger than my thumb.” And she had held up her small, delicate hands.

    This did start off a tirade of penis information I never wanted: Derek’s was short and thick—“like a soup can” and it had hurt; Jeff’s was long and thin—“like being fucked by a candle”; Tommy was uncut and —“it tasted like he kept it up his own ass.” She then demanded to know about the girls I had slept with: Who was really hairy? Who stank? Who had “swamp pussy?”

    I deflected by talking about Frances and her large clitoris. And we spent the rest of that night theorizing on the intimate geometry required for a guy with a thumb-dick and a girl with a pinkie-clit to find an angle for mutual pleasure.

  • Review: Horizon Zero Dawn

    Horizon Zero Dawn is a third-person action RPG developed by the same folks who put together the many, many Killzone games–none of which I have played.

    Mr. Riven and I had been following the news about this game since we saw the first trailer for it. As time went on, we both had concerns that it was going to be an Assassin’s Creed clone …but with a pre-historic feel and metal dinosaurs guise!!11! Thankfully, that doesn’t seem to be the case.

    Not that I didn't try, of course
    Too beautiful to kill

    The game doesn’t have much in the way of traditional tutorials other than some very brief scenes when you’re a child. I, personally, love that. A game that encourages you to learn by playing it takes me back to simpler times. That’s not to say that prompts won’t appear on screen to help you out–press triangle to gather herbs or loot downed enemies, etc.–but you also won’t have to go through 10-minutes of forced actions with a new weapon, either. (“OK, use this weapon to kill enemies this way, now that way, now this other way, congratulations on completing the mandatory tutorial!” I’m looking at you, Batman: Arkham Knight, even though I think you’re otherwise a fabulous game.)

    The world map looks small …until you start playing. Fast traveling costs resources, but I found that I preferred to hoof it from one place to another, anyway. The absolutely stunning world is populated with plenty of machines and wildlife, all of which you are free to kill as you please or not. I highly recommend killing everything that moves because I dislike being resource-starved. That said, as meticulously as I do hunt and gather, I haven’t out-paced the economy; there’s quite a few shinies for sale that encourage “saving up.”

    You could say he has a predilection
    “Mecha-raptor butt-hacking has never been so beautiful.” – Mr. Riven

    The skill point system and accompanying skill trees offer some decent customization options regarding gameplay. Consider yourself a brawler? There’s a tree for that. Prefer a stealthier style? There’s a tree for that. The last tree seems to be largely environmental: gather more resources from fewer sources, override machines for longer, that sort of thing. But it should be noted–so, y’know, note it–that you will certainly max out each of these trees by the end of the game, so it really comes down to what you want first. I’d also like to point out that Mr. Riven plays like Deadshot (lots of ranged combat), while I prefer more of a Deathstroke approach (up close melee combat). So, like I said earlier, options.

    Finally, the story is compelling and downright beautiful, and it shows you right away in the first thirty minutes (ish) of gameplay that the dialogue choices you make might come up again later. Not having played through the entire game, I can only hope that this continues to be the case. Mr. Riven is further along than I am, and there seem to be all kinds of tangled webs to unweave and mysteries to solve. I’m definitely looking forward to seeing how it unfolds, especially considering how gorgeous that unfolding has been so far. (Seriously, the main character’s hair [and hips] are mesmerizing.)

    9/10; will continue to bang.

    If you have questions, please feel free to leave them in the comments below, and I will do my best to address them in a spoiler-free manner…after I put this game down for two goddamn seconds.

  • Fur Fridays

    He didn’t even have to shave this morning

    This week saw the sale of furry bit of history at auction: a glass disc containing a sample of Dr. Alexander Fleming’s original penicillin.The final sale was $14,600, which seems astonishing considering Fleming was a shameless self promoter. According to the AP:

    The Scottish-born doctor likely made at least dozens of such mold mementos, derived from his original sample of the fungus.

    and

    [Matthew Haley, director of books and manuscripts at the auction house Bonham’s,] noted that other bits of mold were given to Pope Pius XII, Winston Churchill and Marlene Dietrich, perhaps in an effort to cement Fleming’s legacy as the discoverer of penicillin in 1928.

    Sounds a bit like splinters of the one true cross for the modern age. Hats off to the hairy scientific discovery that ushered in a new age of medicine and all that.

    Example of a Fleming mold disc with usage rights we could afford.

     

    I know you’re all disappointed that this link isn’t full of naked otters (work unfriendly) or something like that.

  • Part Three: The Gliberdammerung

    Previously: Part One – The Annunciation, Part Two – The Obligatory Production Number

    Jane Fappington-Smyth slumped in the elevator lobby, waiting for the old woman to arrive, annoyed that she had to meet and greet her predecessor like she was an intern or an assistant or something. She, Jane, was now Editor of Thought! magazine; Regina Kestrel had had her day. But no matter, today would be her shining moment. She was going to do the one thing which Kestrel never could – rid the magazine’s website of the hated yokel commenters. Gilhooly and the others would take her seriously after this.

    She could hear the receptionist yelling, presumably into the phone handling one of the many prank calls. “No, there is no Hugh Briss here. Please stop calling.” She wondered if this one would last a week. The elevator lobby was dated and old-fashioned, just like Kestrel. Lots of chrome and smoked glass, the shiny sculpture of the Thought! magazine nameplate covering the wall opposite the elevators. Large antique metal ashtrays, tapered metal bowls from the days when people actually smoked lined the walls. This was a liberalterian magazine, after all. A real one that got printed out on thin shiny paper every month and mailed to people who mattered. People who had cocktail parties where you could meet Tim Russert and get invited onto the Sunday morning cable talk shows if you sucked up.

    Gilhooly joined her in the lobby. It made Jane feel slightly better that she wasn’t greeting Kestrel alone, but equally annoyed that Kestrel was still getting the royal treatment after all these years. “So, Jane, about that Salter fellow, the one whose mother, the nurse…”

    “If we’d have covered that then it would have given them a taste of power,” said Jane, interrupting peevishly. “What, then? Thought! acting as their own personal Sixty Minutes whenever any of their yokel friends or relatives get in trouble? These are not people who exercise good judgment; this is the ‘hold my beer’ crowd. It was a good opportunity to rid ourselves of them, and I took it. That bullshit piece I published the next day about that other police overreaction case was the ultimate ‘fuck off’ to them. It felt so good after all those years of sleights and snark.”

    “The man sells tractors for a living. Tractors.” Jane was on a tear. “Imagine bringing him to a cocktail party. ‘What do you do, Mr. Salter?’ ‘I sell tractors for a living. Hyuk.’ What would that person actually have to say to Andrew Sullivan or Arianna Huffington? ‘Yep, tractor business real good this year.’ Andrew may be barking mad, but at least he’s witty and presentable, and he had the foresight to not have comments on his website,” she said, getting in a desperate dig at the founding editor.

    “Don’t even get me started on his kids’ names – ‘Notapenny Fortribute’ – poor thing will have to spend her life explaining to people that her father is a bitter clinger. Hopefully, she goes by ‘Penny.’”
    “Jane,” the voice came through her fashionable headset with the purple light which matched the highlights of her hair. Just because you were editor of a major think-tank magazine didn’t mean you had to stop looking stylish, unlike Kestrel who looked like everyone’s grandma and probably bought her dowdy outfits at Dress Barn. “Ms. Kestrel is boarding the elevator. Oh, and the commenters just mooned Preet and taunted him in song and someone managed to setup a live feed; it’s going viral.”

    “Fuck.” Jane felt herself about to throw up and looked around desperately. The ashtrays. She lurched toward the nearest one on her over-tall heels and buried her face in the bowl just in time. The gush of digestive juices amplified the long-dormant stale cigarette smell which wafted up to her nostrils causing a fresh gout of vomit, this time fully emptying her stomach into the foul, reeking bowl which didn’t have a flush feature.

    The elevator doors opened. The first thing that hit Regina Kestrel was the acrid stench of vomit. Hmph. In her day it had been piss; good writers always smelled of piss. She stepped off the elevator and recognized her successor, all rump and purple bangs, obliviously throwing up into one of the corridor ashtrays. The purple hair always reminded Regina of her ten-year-old great niece.

    “Dmitry.”

    “Regina,” said Gilhooly sheepishly, glancing at Fappington-Smyth.

    Jane straightened up, wiping her mouth with the back of her hand and turned around to see Kestrel. Fuck, fuck, fuckity fuck.

    “Another one, dearie? At your age, too,” asked Kestrel.

    “Hello, Regina,” she said hoarsely, her throat burning with stomach acids. “No, it’s not that. Those yokeltarian monsters in the dungeon just mooned and taunted Preet in a really bad musical number and it got out and went viral. But I’m getting rid of them, and those stupid squirrels, too!”

    “Foolish girl,” hissed Kestrel.

    “Oh, what-ev-er,” Jane finally broke composure and did something she had always wanted to do, sass and eye-roll the old woman. “You always hated the commenters, anyway.”

    Gilhooly shook his head slowly.

    The elevator dinged and the doors opened and squirrels began streaming out. Goddammit, thought Jane, someone had put the motherfucking squirrels on the goddamn elevator as a joke, probably that little shit Suave. She was so going to dock his pay for that. The squirrels didn’t scatter but stayed together in a roiling gray mass which swarmed in her direction. She stepped out of the path of the swarm, pressing herself up against the wall. The swarm then changed direction towards her. Jane looked desperately at Gilhooly and Kestrel, who looked on disapprovingly from well outside the path of the swarm.

    Suddenly, she understood. She had laughed at their warnings and ignored their explanations. She had persisted in her attempts to destroy tradition. At least she wouldn’t have to live with the shame and embarrassment of defeat.

    She backed up against the wall and began screaming. The swarm quickly engulfed her and the screaming continued for thirty-eight seconds, a very long and uncomfortable thirty-eight seconds for Gilhooly and Kestrel, and presumably the poor receptionist. The swarm of squirrels then disengaged, revealing a skeletonized body. The face had been eaten completely off, but the purple-streaked hair remained intact. The body seemed to want to take a step forward but both knees collapsed, then the pelvis hit the floor and the torso pitched forward into a faceplant on the carpet and lay still.

    “You tell them and tell them,” observed Kestrel.

    “Indeed,” said Gilhooly, sucking on his unlit pipe. Gilhooly pulled out his phone and called the special emergency number he’d been provided.

    The swarm of squirrels returned to the elevator doors and reared up to push the “down” button.

    “Sunshine Cleaning Services…Good evening, Dr. Gilhooly…Yes, we’ll send a van right away, about fifteen minutes…Of course, sir, the ‘problem’ will be handled with the utmost discretion and dignity.”

     

    Next: The taint-withering conclusion.

  • Manly Monday

    When talking manliness our thoughts invariably wander to Clint Eastwood. He has been a paragon of Hollywood masculinity since well before I was born and has aged into a codgery reminder of bygone values of self-reliance and grim determination. What some of you might not know is that he has a son (one of several children with…several women), who wants to be a leading man, just like his father.

    Scott Eastwood has decidedly hitched his wagon to his father’s rugged good looks and manly charms. In 2013 he did a photo shoot for Town & Country, which had him perfectly coiffed and done up maximally preppy on a yacht off the coast of Newport, CA, channeling the very model of Ivy League elitism paired with the text

    People assumed that I would have everything handed to me, but that couldn’t be further from the truth. I was on my own just doing the grind.

    One wonders how true that is, considering one of his earliest credited roles was Gran Torino and profiles frequently (if not universally) refer to him as Clint Eastwood’s son. Since 2013 there has been a concerted effort to make Scott Eastwood happen. Movie and TV roles, modeling gigs, an Instagram account that gets linked by gossip rags whenever he shows up shirtless, and codgery co-interviews with Clint discussing the pussy generation (a fun brouhaha to read about), but while he inherited many of his father’s features, it remains to be seen if he can pull off his father’s gravitas or effortless machismo.

    To quote The Streets “Yeah yeah like I said you are really fit/But my gosh don’t you just know it.” Regardless, he’s handsome, a bit of a ham in a way that walks a fine line between adorably goofy and overly packaged, and I’d undeniably hit it like the fist of an angry god if I had the opportunity.

    https://www.instagram.com/p/dgibeoksjR/?hl=en

    https://www.instagram.com/p/BNTl7tGBxup/?hl=en

    Never say I’m not benevolent.